This article in The New York Times by Elian Peltier on Afghanistani music and artists in Pakistan warns that it is in danger of being silenced. Although this claim may be somewhat true, its danger is that it misses the whole picture. Afghanistani music is not only the music performed and recorded by Pashtun and Tajik refugees in Peshawar. Take a trip to Quetta, Balochistan once. There, Hazaragi music is flourishing and offers a fresh promise for the production and proliferation of Afghanistani Hazara music in the diaspora. One only needs to search for Hazaragi music on YouTube, and you will come across dozens of channels featuring various music groups, with folk and pop genres emerging from Quetta. You would realize that the culture and the music are neither frozen nor silent, but actively produced and innovated in different contexts and catered for a more transnational audience. Yes, Afghanistani music is deterritorialized, but in diaspora it is reterritorialized and claimed through ...
sporadic thoughts and reflections of an anthropology phd student